Portable camera panel with high end broadcast CCU controlsATEM Camera Control Panels are professionally built broadcast camera control units that extends the software features in ATEM Software Control to add high quality physical buttons and controls that are much faster to use. ATEM Constellation supports camera control when used with the Blackmagic Studio Cameras URSA Mini Pro and URSA Broadcast cameras for full remote camera control. The control panel lets a single person monitor and adjust a wide range of camera parameters such as black levels gain colour balance shutter speed and more. This leaves your camera operators free to focus on more important tasks such as framing and shot composition. Plus it works with all ATEM switcher models.Two Great ModelsATEM Micro Camera PanelPortable camera panel with high end broadcast CCU controls including battery Bluetooth and 8 camera select buttons for iris pedestal shutter white balance master gain RGB balance and more.ATEM Camera Control PanelControl up to 4 cameras at the same time using the same controls used on high end broadcast camera controllers. Controls iris shutter speed white balance master gain pedestal RGB and more.Works with Blackmagic Studio URSA Mini and Broadcast CamerasATEM Constellation works with the latest Blackmagic SDI cameras that have studio camera features that you can remotely control. This means you get remote camera control tally indicators and a DaVinci colour corrector built in. All control is via the switcher aux output connection to the camera PGM SDI input allowing you to broadcast control commands from the switcher to the camera with a single SDI cable. That means you can remotely control settings in the camera plus focus iris and zoom on supported lenses. Pocket Cinema Cameras include a DaVinci primary colour corrector so you get more than simple CCU controls as you can also do a full colour grade in the camera for a cinematic look.Control Blackmagic Pocket Cinema CamerasOne person can control up to 8 cameras at the same timeWhen working on live production it’s important all of the cameras are matched with proper colour balance so that you get a consistent look as you cut and transition between the different cameras. The ATEM Camera Control Panel features 4 individual camera controllers while ATEM Micro Camera Panel allows you to choose between up to 8 cameras in one panel. When used with a larger number of cameras it's very quick to change which camera you control on each CCU channel. On ATEM Camera Control Panel each camera controller includes an LCD screen with soft buttons and knobs. Both panels feature a full set of traditional CCU controls so you always get a clear indication of the camera state.Scene and Camera ControlsThe top section on each camera control has settings for changing camera settings plus it lets you save and recall scene presets. Getting remote access to important camera settings is vital when you are working in conditions where the light can change during your job such as daylight and with these settings you can quickly adjust cameras based on changes in the scene. Controls in this section include master gain ND filters white balance shutter speed and more.• White BalanceQuickly get the perfect white balance by triggering the camera’s automatic white balance feature.• Load ScenesSave and recall scene presets perfect when you do regular work with the same conditions each day.• Master GainBoost sensitivity of the sensor as conditions become darker or when more depth of field is needed.• ND FiltersChange the density of the electronic ND filter on compatible cameras.• Shutter SpeedSet the shutter speed of the camera and a slower shutter speed can also boost brightness in dark conditions.• Colour BarsSelect to output colour bars for the selected camera. Colour bars are very useful when setting up for a new job.Gain and Pedestal ControlsThe center section features independent RGB controls for adjusting the camera colour for the white and black parts of the image. Because the Blackmagic cameras with studio features have a full DaVinci Resolve primary colour corrector built in you have amazing control over the colour in the camera. These red green and blue controls for adjusting blacks and whites mean you can accurately match multiple cameras which is vital for cutting seamlessly without colour shifts. One trick experienced camera control operators use is to only adjust the red and blue channels so you can add and remove red and blue tint without getting to far away from accurate colour.• White BalanceIndependent RGB controls for adjusting the white part of the image.• Black BalanceIndependent RGB controls for adjusting the black part of the image.Lens and Iris ControlsThe lower section of the panel is where the most used controls are located and features a large easy to read camera number that highlights red when the camera is on air. The main control fo